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Robert Creeley Poems

Found 27 poems by Robert Creeley .
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A Form Of Women
"I have come far enough
from where I was not before
to have seen the things
looking in at me from through the open door

and have walked tonight
by myself
to see the moonlight
and see it as trees

and shapes more fearful
because I feared
what I did not know
but have wanted to know.

My facd is my own, I thought.
But you have seen it
turn into a thousand years.
I watched you cry.

I could not touch you.
I wanted very much to
touch you
but could not.

If it is dark
when this is given to you,
have care for its content
when the moon shines.

My face is my own.
My hands are my own.
My mouth is my own
but I am not.

Moon, moon,
whn you leave me alone
all the darkness is
an utter blackness,

a pit of fear,
a stench,
hands unreasonable
never to touch.

But I love you.
Do you love me.
What to say
when you see me."
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Ballad Of The Despairing Husband
"My wife and I lived all alone,
contention was our only bone.
I fought with her, she fought with me,
and things went on right merrily.

But now I live here by myself
with hardly a damn thing on the shelf,
and pass my days with little cheer
since I have parted from my dear.

Oh come home soon, I write to her.
Go fuck yourself, is her answer.
Now what is that, for Christian word?
I hope she feeds on dried goose turd.

But still I love her, yes I do.
I love her and the children too.
I only think it fit that she
should quickly come right back to me.

Ah no, she says, and she is tough,
and smacks me down with her rebuff.
Ah no, she says, I will not come
after the bloody things you've done.

Oh wife, oh wife -- I tell you true,
I never loved no one but you.
I never will, it cannot be
another woman is for me.

That may be right, she will say then,
but as for me, there's other men.
And I will tell you I propose
to catch them firmly by the nose.

And I will wear what dresses I choose!
And I will dance, and what's to lose!
I'm free of you, you little prick,
and I'm the one to make it stick.

Was this the darling I did love?
Was this that mercy from above
did open violets in the spring --
and made my own worn self to sing?

She was. I know. And she is still,
and if I love her? then so I will.
And I will tell her, and tell her right . . .

Oh lovely lady, morning or evening or afternoon.
Oh lovely lady, eating with or without a spoon.
Oh most lovely lady, whether dressed or undressed or partly.
Oh most lovely lady, getting up or going to bed or sitting only.

Oh loveliest of ladies, than whom none is more fair, more gracious, more beautiful.
Oh loveliest of ladies, whether you are just or unjust, merciful, indifferent, or cruel.
Oh most loveliest of ladies, doing whatever, seeing whatever, being whatever.
Oh most loveliest of ladies, in rain, in shine, in any weather.

Oh lady, grant me time,
please, to finish my rhyme."
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Clemente's Images
"1)

Sleeping birds, lead me,
soft birds, be me

inside this black room,
back of the white moon.

In the dark night
sight frightens me.


2)

Who is it nuzzles there
with furred, round headed stare?

Who, perched on the skin,
body's float, is holding on?

What other one stares still,
plays still, on and on?


3)

Stand upright, prehensile,
squat, determined,

small guardians of the painful
outside coming in --

in stuck in vials with needles,
bleeding life in, particular, heedless.


4)

Matrix of world
upon a turtle's broad back,

carried on like that,
eggs as pearls,

flesh and blood and bone
all borne along.


5)

I'll tell you what you want,
to say a word,

to know the letters in yourself,
a skin falls off,

a big eared head appears,
an eye and mouth.


6)

Under watery here,
under breath, under duress,

understand a pain
has threaded a needle with a little man --

gone fishing.
And fish appear.


7)

If small were big,
if then were now,

if here were there,
if find were found,

if mind were all there was,
would the animals still save us?


8)

A head was put
upon the shelf got took


by animal's hand and stuck
upon a vacant corpse

who, blurred, could nonetheless
not ever be the quietly standing bird it watched.


9)

Not lost,
not better or worse,

much must of necessity depend on resources,
the pipes and bags brought with us

inside, all the sacks
and how and to what they are or were attached.


10)

Everybody's child
walks the same winding road,

laughs and cries, dies.
That's "everybody's child,"

the one who's in between
the others who have come and gone.


11)

Turn as one will, the sky will always be
far up above the place he thinks to dream as earth.

There float the heavenly
archaic persons of primordial birth,

held in the scan of ancient serpent's tooth,
locked in the mind as when it first began.


12)

Inside I am the other of a self,
who feels a presence always close at hand,

one side or the other, knows another one
unlocks the door and quickly enters in.

Either as or, we live a common person.
Two is still one. It cannot live apart.


13)

Oh, weep for me --
all from whom life has stolen

hopes of a happiness stored
in gold's ubiquitous pattern,

in tinkle of commodious, enduring money,
else the bee's industry in hives of golden honey.


14)

He is safely put
in a container, head to foot,

and there, on his upper part, wears still
remnants of a life he lived at will --

but, lower down, he probes at that doubled sack
holds all his random virtues in a mindless fact.


15)

The forms wait, swan,
elephant, crab, rabbit, horse, monkey, cow,

squirrel and crocodile. From the one
sits in empty consciousness, all seemingly has come

and now it goes, to regather,
to tell another story to its patient mother.


16)

Reflection reforms, each man's a life,
makes its stumbling way from mother to wife --

cast as a gesture from ignorant flesh,
here writes in fumbling words to touch,

say, how can I be,
when she is all that was ever me?


17)

Around and in --
And up and down again,

and far and near --
and here and there,

in the middle is
a great round nothingness.


18)

Not metaphoric,
flesh is literal earth.

turns to dust
as all the body must,

becomes the ground
wherein the seed's passed on.


19)

Entries, each foot feels its own way,
echoes passage in persons,

holds the body upright,
the secret of thresholds, lintels,

opening body above it,
looks up, looks down, moves forward.


20)

Necessity, the mother of invention,
father of intention,

sister to brother to sister, to innumerable others,
all one as the time comes,

death's appointment,
in the echoing head, in the breaking heart.


21)

In self one's place defined,
in heart the other find.

In mind discover I,
in body find the sky.

Sleep in the dream as one,
wake to the others there found.


22)

Emptying out
each complicating part,

each little twist of mind inside,
each clenched fist,

each locked, particularizing thought,
forgotten, emptying out.


23)

What did it feel like
to be one at a time --

to be caught in a mind
in the body you'd found

in yourself alone --
in each other one?


24)

Broken hearts, a curious round of echoes --
and there behind them the old garden

with its faded, familiar flowers,
where all was seemingly laced together --

a trueness of true,
a blueness of blue.


25)

The truth is in a container
of no size or situation.

It has nothing
inside.

Worship --
Warship. Sail away."
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